http://art.pte.hu/sites/art.pte.hu/files/doktori_iskola/disszertaciok/palatinus_dora_thesis.pdf WebCurator and Art Historian Miwon Kwon articulates three paradigms of site-specificity as “phenomenological, social/institutional, and discursive” outlining that such categorisations exist as competing definitions, continually overlapping while operating simultaneously (Miwon Kwon, Ed., One Place After Another: Site-specific Art and ...

One place after another : site-specific art and locational identity

WebMiwon Kwon Published 2002 Art Kwon traces the development of site-specific art from the 1960s to the 1990s, examining site-specificity as a locus of the dynamic relationship between place and identity in late capitalism. Web21 jun. 2002 · Miwon Kwon. 4.11. 365 ratings15 reviews. A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process ... chestercounty.org

Kwon, "One Place After Another," annotation by Kristine Nielsen

Web27 feb. 2004 · One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity ... Web18 feb. 2016 · of - BrownBlogs€¦ · See, for example, Miwon Kwon, "One Place After Another: Notes on Site Specificity", October, 80 (1997), pp. 85-11 0; and James Meyer, "The Functional Site," · Die Theoretikerin Miwon Kwon beschreibt in einem Essay von 1997 welche bemerkens- werten Veränderungen künstlerische Praxisformen im öffentlichen … Web31 mei 2024 · Miwon Kwon notes the practice of artists and curators who travel the world for their site-specific art, the actual (and multiple) sites of the works and various communities preempted by a discursive process: “Since the late 1980s, there have been increasing numbers of traveling site-specific art works, despite the once-adamant claim … good neighbor next door program reddit